The Castellani Art Museum of Niagara University presents “Show and Tell: An afternoon with lace collector and restorer Molly Carroll” on Sunday, Sept. 30, 2012 from 2–4 p.m. This presentation is given in conjunction with the museum’s current folk arts exhibition, Re-)Making Irish Lace . The program is free and open to the public.
Buffalonian Molly Carroll has been collecting and restoring handmade lace for more than 30 years. Join us for an afternoon with Molly as she shares her experiences and travels, as well as special pieces from her extensive collection of historical laces.
About the exhibition
Displaying Irish styles of lace—old and new, historical and reimagined, the CAM’s exhibition celebrates the ingenuity and handwork of women in Ireland and Western New York.
The 19th century lacemaking industry in Ireland arose as a commercial response to poverty and famine. Numerous convents, philanthropic societies and wealthy patrons promoted widespread instruction in lacemaking, hoping to create a means for poor women to earn income. Conversely, shrewd entrepreneurs saw an opportunity for exploiting low wage, skilled labor. Given the variety of motivations driving it, the organization of lace production ranged from cooperative workrooms run by nuns to factory “schools” demanding indentured servitude.
Over time, distinctive regional styles of lace developed across Ireland and began receiving international recognition, both positive and negative, as they were sent to industrial exhibitions like the 1893 World’s Columbian Exposition held in Chicago. Although some styles, like Limerick and Irish Crochet, achieved periods of wide popularity, Irish lace was largely undervalued in its day, criticized as well-executed, but lacking in fine taste—that is, the tastes of Continental upper classes.
(Re-)Making Irish Lace explores the hidden labor of an elite textile, demonstrating the artistic achievements of average women, many desperately poor, who harnessed their hands and their imaginations to support themselves and their families. Showing fine historical examples of the most common Irish styles from the collection of Buffalonian Molly Carroll, this exhibition pairs them with the work of contemporary women living in Western New York who, through their own creativity, re-imagine Irish lace for a new time and place.
Jon Kay of Traditional Arts Indiana interviewed Castellani Art Museum Curator of Folk Arts Carrie Hertz for his podcast series, Artisan Ancestors. You can listen to it here, on the Artisan Ancestors website.
This exhibition and related programming is made possible with public funds from the New York State Council on the Arts, celebrating 50 years of building strong, creative communities in New York State’s 62 counties. For more information, please contact Carrie Hertz, curator of folk arts, at 716.286.8290.
